Miles Davis, Cool Jazz, Nefertiti & Pharaoh's Dance

Posted May 7th, 2011 at 4:29 pm (UTC+0)
1 comment

Diaa Bekheet | Washington, DC – I was sipping tea in the famous Al-Fishawy coffee shop in old Cairo, when a young man next to me said to a tourist: “Anwar Wagdi is as famous as Miles Davis!” He was pointing to an Egyptian movie star who was playing trumpet in a 1949 movie showing on a wall-mounted television set. Wagdi’s trumpet solo was brilliant.  I asked the man if he had ever listened to Miles Davis. “Never,” he responded. “But who doesn’t know Miles Davis? The greatest trumpeter of all time.” My face reflected my surprise.

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Huge Impact on Jazz:
Davis is known worldwide – even by those who have never heard his music – for what he did to revolutionize jazz music between the 1940’s and 1970’s. He helped create Cool Jazz in New York in the late 1940’s when he played with saxophonist Charlie Parker, trumpeter Dizzy Gillespie and other big bandleaders of the era. In 1949 Davis recorded his first hit album Birth of the Cool. In the 1959, he introduced Modal Jazz. And in 1969, Davis mixed jazz with rock music to create Jazz Fusion. Despite all those achievements, he wanted to be called Miles Davis without labels.

Miles Davis holds a glass of orange juice after receiving the Chevalier de la Legion d'Honneur award medal in Paris from the French government, July 16, 1991

Miles Davis holds a glass of orange juice after receiving the Chevalier de la Legion d'Honneur award medal in Paris from the French government, July 16, 1991 (AP)

The eight-time Grammy winner was one of the prime movers of jazz; a “Chameleon of Jazz” who changed the direction of jazz music multiple times. John Edward Hasse, curator of American music at the Smithsonian, gives us some thoughts about Miles Davis.

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I grew up listening to jazz-rock fusion and compositions like “Nefertiti” or “Pharaoh’s Dance” from Davis’ definitive electric, Grammy-winning album Bitches Brew. I fell in love with his style the minute I saw him perform in a  documentary on Egyptian television in the early 1970’s. Davis’ style attracted me, because at the time I had just started learning how to play the trumpet. I was 14.  I remember he used to say “there’s a need to move, change and grow.”

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The Last Award:
Miles Davis later became one of the true giants of jazz. He received many awards; the last one was in July 1991, when the French government awarded him the Chevalier de la Legion d’Honneur medal.  Two months later, Davis died in a southern California hospital of pneumonia and heart failure. He was 65.

Davis is also considered one of the most important musicians in jazz history, an icon who created the jazz language and helped define its repertoire.  He is also called “The Picasso of Jazz” for his abstract music style.

A Funny Story From Herbie Hancock on Miles Davis:

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The Dark Side:
Many books described by critics as “Concise, compelling, elegant, and evocative” have been written about the legacy of Miles Davis. Among the many authors is his son, Gregory Davis Jr., who wrote an “honest” account of his father’s “brilliant DOCTOR JEKYLL and dark MR HYDE personality.”

For more on jazz music, listen to VOA’s Jazz America

Diaa Bekheet
Diaa Bekheet has worked for a host of media outlets, including Radio Cairo in English, ETV News, Deutsche Presse-Agentur (dpa) and the Associated Press. He joined VOA in Feb. 1989 as an International Broadcaster, hosting a variety of popular news and entertainment shows such as Newshour, Radio Ride Across America, Business Week, and Jazz Club USA. He has interviewed a number of Jazz celebrities, including the legendary Dizzy Gillespie, Ramsey Lewis, Wayne Shorter, and George Benson. Diaa is currently an editor for our main English site, VOAnews.com.

One Response to “Miles Davis, Cool Jazz, Nefertiti & Pharaoh's Dance”

  1. donovan says:

    thanks for the thoughtful story. I could not agree more. My father was greatly influenced by Miles, he was a lifelong fan and so am I.

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